Musa

Musa is a phonetic alphabet and a translingual orthography consisting of 27 letters, the combined glyph of (always) multiple letters representing phonemes. Musa is customized to phono-morphological distinct languages with arrangements of glyphs named ‘gaits’, including alphabet, abjad, askara, agubida, fangzi, etc.

The document attributed Musa’s orthographic use ‘allophonic’, but it is more of broad phonetic transcription.

Musa is unintuitional for linguistically trained mind, and this is not simply ‘no one will really use it’. There is bad smell, but in-depth analysis is needed.

Naturally, Musa is workable, as all of ill-designed scripts Musa is intended to supercede. Only workable is not adequate, see Wang Li (1936).

HydroCyaNide: ‘Musa is optimistic; however this makes it difficult to write’

我觉得一个问题是一个字母（或「辅音双字母」）用一笔写成这个设定，这导致为保持笔画细节很难连写，且（如方字步态下）笔画支离

我提议爯一笔写完的单元为「音素单位」，可能含一个或两个Musa字母，或者就叫「划」？我在Discord问了，有人建议就爯字母。（而半个字母叫shape）

Excerpts

I would extend a bit further, and ask what make they think such thing is possible. In Vowels and Consonants, Ladefoged wrote that he doesn’t know the answer for question: ‘how many sounds are there in the languages of the world?’ There are just too many phonetic details available for any ’segment‘, and deciding whether a sound in language A is the same as a sound in language B could be a quite hard decision for a phonetician. That’s not talking about tone.

— u/gzafed